Chocolate Girl

Deacon Blue’s Chocolate Girl from the album Raintown (1987) drops into my Spotify playlist as the app moves from the normal track listings into suggestions.

I stop what I’m doing.

I haven’t heard the song in so long but I’m instantly transported to my memories of a younger (much younger) self, sitting on a bus listening to the album on my red Sanyo personal cassette player (with graphic equaliser!).

It is early on a cold grey and frosty morning and I’m going from Faifley to Whitecrook on the 62 bus. It feels like a long time to go so few miles but as I finally get to my stop and get off the bus to walk up the small hill to Dawson, Downie and Lamont (pump makers) where I worked as a Shipping clerk, I’m still listening to this album and Chocolate girl comes on. I will enter the old Victorian factory through the large shed entrance to the sounds of Ricky Ross’ husky vocal and Lorraine McIntosh’s soaring accompaniments.  My senses are assaulted with the light (what there is of it on a morning like this) coming through the large skylights; the amber hued glow of the many large hanging lamps above the machines and the smell of oil and metal will be almost overwhelming as I make my way to the wood built set of offices I worked in, adjacent to the factory floor.  

It is lovely that a song can be a vehicle to personal time travel and has the ability to drop you into a memory of time, place, image and smell like nothing else.

Deacon Blue – Raintown

Image result for deacon blue raintown

Released in May 1987, with it’s iconic Oscar Marzaroli’s grim snapshot of Glasgow’s skyline in the 60s adorning the album cover, this was Deacon Blue’s first album and it catapulted the band into the UK pop scene with the beautifully written and performed “Dignity” as it’s title track. Only being 16 years old at the time, this was in equal measure the soundtrack to my youth along with New Order’s 1987 superb compilation album and Erasure’s “the Circus” album.

The Raintown album however was something different. Clean guitar, beautiful chords, great lyrics (only a certain Scottish demographic will know what he means when Ricky Ross sings about Bogey packing his lunch in a Sunblest bag – classic) and raspy singing from Ricky and soaring supporting vocals from Lorraine McIntosh all begin with the hauntingly wonderful “Born in a Storm” which segues smoothly into the Raintown track which sets the tone for the whole album.

The album had several chart successes from it’s single releases but for me, aside from Dignity my favourite song is “Love’s great Fears”. I do enjoy listening to this from start to finish on occasion – not necessarily only on a dreich Glasgow afternoon

Born in a Storm
Raintown